What began as casual coffee shop chats among five El Pasoans has developed into an ongoing friendship and a joint creative venture. Edward Reyes, Jacqueline Aguirre, Javier Hernandez, Carlos Humphreys, and Aryk Gardea met by being regulars at Joe Vinny and Bronsons Bohemian Cafe on Piedras Street in Central El Paso. After discovering a shared appreciation for art, they decided to work together to support their vision of a community gallery. They secured a narrow space next to the coffee shop and opened Galeria Cinco Puntos in January. Gardea, whose background is in art with a BFA in ceramics and painting from UTEP and a MFA from the San Francisco Art Institute in sculpture, pitched the idea of launching the gallery with an exhibit featuring the Horned Toad Prints exchange.
EL PASO – An art installation that will transmit conversations back and forth across the border on light beams is among 14 finalists that could receive up to $1 million each in the 2018 Bloomberg Philanthropies Public Art Challenge. UTEP’s Stanlee and Gerald Rubin Center for the Visual Arts, along with the Cities of El Paso and Juárez, teamed up to pursue the funding for a joint cross-border art installation. The UT El Paso Office of University Communications provided the following information in a press June 23 release:
“The Rubin Center has a dynamic history of presenting contemporary art that involves artists and audiences from both sides of the border,” said Kerry Doyle, director of the Rubin Center at The University of Texas at El Paso. “This partnership with the City of El Paso, the El Paso Community Foundation and our partners in Juárez highlights the strong connections we have with our sister city, and the importance of building bridges for the future.”
The proposed art installation is titled “Border Tuner.” The project, led by artist Rafael Lozano-Hemmer, includes a series of light and sound installations that will connect El Paso and Juárez with robotic searchlights that make a bridge of light. The light sources open bidirectional live sound channels that allow people from each side of the border to communicate with each other from three stations at Juárez’s Chamizal Park and three at Bowie High School in El Paso. In February, Bloomberg Philanthropies invited mayors from U.S. cities with a population of 30,000 or more to submit proposals for temporary public art projects.
JUAREZ — The photograph is a self-portrait. But it shows two women — two manifestations of the same woman, a woman who calls herself a hybrid, a dislocated immigrant who still feels at home in a strange new land as she attempts to uncover her own special identity. “I experience a kind of dislocated identity, which I think it’s very common in migrants; feeling like outsiders,” said photographer Sabina Loghin who emigrated from Romania to Mexico when she was four years old. Far from resenting the lack of a visible community from her home country in Cd. Juarez, Loghin embraces her unique hybridization, and acknowledges it as the main inspiration for her art.
It began with a simple dream of a small group of resolute mothers discussing community problems in a one-room apartment in the Segundo Barrio during the 1960s. Through stiff determination and unflinching courage, the “Mothers of La Fe” cobbled together a non-profit organization to empower families immersed in poverty, unemployment, lack of health care and gang violence. Since that day more than four decades ago, Centro De Salud Familiar La Fe has helped countless families, many of them recent immigrants to El Paso, resulting in the empowerment of a predominantly Latino community. Segundo Barrio, located south of downtown El Paso near the U.S.-Mexico border, is the city’s oldest and most historic neighborhood, housing a community deeply rooted in Mexican culture. “I have always said that all the people in La Fe are my second home,” said Esperanza Tijerina, who attends citizenship classes and English at the La Fe Culture and Technology community center and is preparing to apply for U.S. citizenship.
El Paso’s arts district continues to grow, with a variety of attractions and experiences for all. However, the city’s museums still face challenges in building on community involvement. Borderzine reporters Yazmin Garcia and Tanya Carbajal produced this story.
EL PASO — Searching all over the northern parts of Mexico in 1976 for the origin of some pottery he found at a second hand store in Deming, NM, Spencer MacCallum came to a town just about three blocks long, on the verge of extinction. The anthropologist found Juan Quezada, the artisan who made the pots, there in Mata Ortiz, Chihuahua, and together they would help not only revive the town, but the art form as well. El Paso got a taste of what has been called the miracle of Mata Ortiz when the Consulate General of Mexico here honored MacCallum with the Ohtli Award on May 5 in recognition of his role in helping gain international recognition for the Mata Ortiz artisans and their work. The reception marked the opening of an exhibit of Mata Ortiz pottery at the consulate at 910 E. San Antonio Ave. “The Miracle of Mata Ortiz has been something special, enormous, grand.
With one quick motion of his finger on the camera shutter release, David Smith-Soto erases the boundaries of time and eternalizes an intimate instant as two lovers stare into each other’s eyes. “It’s a glimpse of intimacy,” said David Flores, photographer and special collections archivist at the University of Texas at El Paso. “This is life one frame at a time.”
The black and white photograph taken in Oaxaca, Mexico, in 2000 entitled “Lovers” is one of 26 prints in David Smith-Soto’s street photography exhibit in the Glass Gallery at the University of Texas at El Paso,
Photo Gallery: The Street Photography of David Smith-Soto
Smith-Soto said he was pleased to show some of his 60 years of photography to a large audience, but that the purpose of the show was to raise funds for journalism student internships. “We need to send out more students into the world, so that means we need more funding for that,” said Zita Arocha director of Borderzine, UTEP’s online bilingual magazine. Arocha said it costs approximately $3000 to send one student on an internship.
EL PASO— The Mexican experience in America, presented with verve as a celebration of the culture and and as a bulwark against negative stereotypes in popular art and media was dubbed Mextasy by Dr. William Anthony Nericcio. “This anti-Mexican fervor needs to be met with a kind of invocation of mexicanidad that needs to be equally strong,” Nericcio says. “You got to attack it with the same power with the same fervor, with the same dynamic focus.”
Nericcio captivated a room of faculty members and students when he came to the University of Texas at El Paso recently to discuss and present his travelling art show,
TheMextasypop-up exposition contains objects that Nericcio has collected over the years, Ranging from dolls to posters that harken back to the 1950’s representing and satirizing the Mexican experience in the United States, representing an analysis of Hollywood’s contribution to perceptions of Mexican ethnic identities. Nericcio gets serious when addressing how consumers should fight the negative commentary on Mexicans that some commentators in media like Rush Limbaugh and Anne Coulter advocate. Ectasy healing
For Nericcio, Mextasy can be seen as a form of defense and cure against those Mexican stereotypes and tropes.
EL PASO – Spectators are entangled in an intertwined mess of black cords connected to a red piggy bank, red back scratchers and other red knick-knacks that transforms the entrance of a conventional public building into a world of obsessive red. Maximo Gonzalez’s exhibit “Magnificent Warning” is one of the three current art exhibits featured at the Stanlee & Gerald Rubin Center at the University of Texas at El Paso. The exhibit will be showcased until March 15. Gonzalez is a recognized Argentine artist who has left a profound mark in the art world. “The mission of the Rubin Center is to bring world class contemporary art to the El Paso region, and Maximo is certainly at the top end kind of the artists we bring. He’s got a really fantastic trajectory.
EL PASO – Photographs ranging from the beautiful scenery of the El Paso Mountains to the simplicity of a self-portrait dazzled spectators at the first annual “International Eye of the Camera” event at the Crossland Gallery. “We were most pleased for a first exhibit like this, with the number of entries and the quality of entries,” said Joyce Ewald, office administrator of the El Paso Art Association. The Art Association hosted the event November 30, which featured photographers from El Paso, Las Cruces, and Juarez. The idea for the “International Eye of the Camera” came after the recent “Arts International” event, which excluded photographs because of limited space at the Crossland gallery. Ewald and a committee of four other members, decided to create an event solely for photographers. “I felt that there were a lot of members who were photographers and I felt that they deserved a show too,” said Ewald. A total of 97 photographs were sent in, but the Art Association is hoping to see that number continue to grow at next year’s event. “We need more photographers to get involved with the association. If you want these events to happen you have to raise money” said Ernest L. Salazar, owner of ELS Photography, who also handed out one of the awards for the event.