El Paso is currently home to number of recording studios and the past year was a good one for musical artists coming out of the city on the crossroads between music scenes in Austin and Los Angeles. Khalid has been the most successful of three fresh faces from El Paso that have reached the national stage. Elia Esparza landed a spot on The Voice in 2016, followed by Valerie Ponzio in the 2017 season. Beacon Hill Recording Studios
Alfredo Gonzalez is general manager and music producer at Beacon Hill Recording Studios, 6430 Gateway Blvd, where Khalid recorded his hit song “Location.” Gonzalez said the 3-year-old studio struggled at first, in part because El Paso didn’t have a large recording industry infrastructure like big cities.
“Anything for Selenas,” the iconic line from the 1997 Selena Quintanilla-Perez biopic starring Jennifer Lopez, still sums up the feeling many El Pasoans have for the late Tejana songstress. The crowds turned out for a weekend of honoring the singer’s life sparked by the Selena Celebration movie festival at the Alamo Drafthouse at Montecillo March 31 through April 2.
The festivities began with a party at the Later, Later bar, 109 N Coldwell The whole night belonged to the “Reina de la Cumbia” as people cheered, danced and sang along to all her hits. The Alamo Drafthouse had six screenings of the movie “Selena.” The $12.99 tickets included access to the April 2 Bidi Bidi Banda concert by an Austin tribute band in the theater’s parking lot. Those not attending movie screenings were able to attend the concert for $5. El Paso’s own Selena impersonator, Diamond, was the closing act.
EL PASO — Beer bottles clink in the hands of burly men as ACDC pounds on the speakers. Under the sound of televisions playing football games, a faint chatter can be heard on the second floor of the Pershing Inn bar—“Welcome to Rios Online Radio…”
Since January 2013, Joseph Brooks and Gabriel Acuña, producers for Rios Online Radio, have met every Sunday at the Pershing Inn, 2909 Pershing Dr., to host a podcast aimed at promoting El Paso, its residents and the local music scene. Rios has produced about 40 shows in two seasons, under Chuco Talks, Rio Sports, and Rio Pod Co. “I used to do podcasts with my friends a couple years ago in my garage, using a cell phone in a can hanging in the middle of the room. We just shared it among friends,” Brooks said.
50 LIBROS/ 50 BOOKS: Mujeres y sus historias.
“… Anyway, those were catastrophes”
EL PASO – This experiment of writing every week about books written by women or with intense female characters has been quite a journey for me. It has forced me to read more, to re-read more, to write more and, obviously, to become more aware of what good stories are made of. I have sat in different places to read, I have listened to different music to write. I have learned about the different techniques used by authors to create that so called fictional world.
EL PASO – A plain white-walled room in an everyday suburban house filled with amplifiers and microphone wires is the meeting ground and practice space for the El Paso-based band The Lusitania. The band begins to tune the instruments to start the first practice of the week. Even though they’re nestled in a traditional neighborhood, the vibrations shake the walls of guitarist Will Daugherty’s home. “My neighbors are really cool with what we do,” Daugherty said. “We haven’t gotten complaints about the noise.”
The Lusitania has been shaking walls since 2006 with an eclectic collection of music variously described as “a blend of folk rock and country” and as ranging from “waltz’s to brawling punk-rock anthems.”
The band originally started with brothers Michael and Blake Duncan but has since added members Daugherty, Charles Berry, and Adi Kanlic.
EL PASO – Steel walls cut and scar the border, while robotic eyes search for movement like predators for prey and border agents patrol the line in choreographed patterns raising clouds of dust, but none of this can keep out the music. This fixed fence prevents illegal migration and keeps America less subject to foreign influence, but it cannot stop a constant transfusion of Mexican culture from becoming ingrained in the U.S. lifestyle, especially in the borderland. “If we’re from El Paso, we often have U.S.-American tastes…but we also have the Mexican culture in the background somewhere. And I think people from Juarez and elsewhere have the same thing,” said Roberto Avant-Mier, a professor of Communication at the University of Texas at El Paso. He added that the people in the border have two languages, two cultures, several identities, and numerous musical influences, which according to him can come from at least two orientations.
EL PASO — The music festival was a living, breathing organism of 11,000 blurry faces, bright lights and loud sounds. Walking through the darkness and seeing the excitement of people dancing frantically to their favorite artists made me understand that we all shared the same mutual amazement for the present. And I had helped to make it happen. Two months earlier, I had received one of these so called “suggested student opportunities” messages via email. I needed an internship I could care about and Splendid Sun Productions wanted interns to help put on a music and arts festival entitled Neon Desert Music Festival on April 30th, 2011.
EL PASO — If you are ever passing by Rim Road near Scenic Drive in West El Paso in the summer on an early Friday evening, you might hear a throbbing sound of tribal drums pulling you in closer to the infectious pulse that is Echos in the Park. What started out as a series of relaxing outdoor musical improv sessions by heads of the local jam band, Stanton Street Collective, has evolved into a weekly fluid gathering at Tom Lea Park of musicians and percussionists from all walks of life. “There is something special about having an impromptu jam session with a bunch of people that have never practiced and sharing that feeling of camaraderie,” said Roberto Santos, organizer for the Barbed Wire Open Mic Series. Since getting its start nearly four years ago, Echos in the Park has been gradually growing its circle of amateur percussionists up on top of one of the most beautiful and accessible scenic points overlooking the Downtown El Paso and Juarez area. Though the event’s lack of centralized ownership, formal structure, legitimate promotion and fixed schedule, it has some how managed to continue to thrive efficiently and effectively with word-of-mouth throughout intimate circles of music lovers across the city.
EL PASO — From rumba to mambo to cha-cha-cha, Latin music rhythms played an important role in the development of rock-and-roll music, strongly influencing songs like Rock Around the Clock and Tequila. “I would consider rock-and-roll music a Latin genre because there are so many Latin connections to it and Latin music was part of it from the very beginning, ” said Dr. Roberto Avant-Mier an associate professor at the University of Texas at El Paso. His book Rock the Nation: Latin/o Identities and the Latin Rock Diaspora explains how Latin rhythms form part of the foundation of rock-and-roll music. Born and raised in El Paso, Avant-Mier told UTEP students and faculty recently that Rock around the Clock by Bill Halley was a song based on the clave, which was a Cuban rhythm. Scholars believe this rhythm came from Africa and is a foundation for Cuban music.