EL PASO – El viejo que solo puede ver en blanco y negro, mientras que platica con un muchacho se da cuenta de las diferencias de la vida para poder experimentar y entenderlas. Un rito de pasaje de la niñez a la vejez es un tema fuerte en las escrituras de Roberto Perezdíaz. Él describe cómo a través de la madurez una persona es capaz de recorrer los senderos de la vida y los coloca en el desierto de la frontera. Con el lanzamiento de su nuevo libro Más sabe el diablo, Perezdíaz ha reunido una colección de cuentos que exploran temas de inocencia y cinismo, a través de cuentos que incorporan el humor y la introspección. “Cada cuento con la excepción de El papalote y Tomasito es de una verdadera idea independiente.
EL PASO – The old man is color blind, but as he converses with the younger man he brings to life the contrasts and dilemmas they must go through in order to understand la vida. A person’s rite of passage from childhood to adulthood is a powerful theme in Roberto Perezdíaz’ writing. He describes how maturity makes people more adept at walking the paths to life and he places them in the desert of the borderland. With the release of his new book Más sabe el diablo, Perezdíaz has assembled a collection of short stories that explore themes of innocence and maturity through a collection of funny, insightful stories. “Every story with the exception of El papalote and Tomasito are independent ideas. But I noticed that one of the themes bubbling through the surface of the stories is that of oneself and the more you mature, the more knowledgeable you become,” Perezdíaz said.
EL PASO – A sense of adventure, a camera and a little bit of luck marked the beginning of a young photographer’s career, tools that paid off nearly 50 years later for Mike Mitchell. At the age of 18, Mitchell was living in Washington, D.C, and starting his career as a photojournalist. Having already developed a love for photography in his early teens, he set off to do what naturally comes next –find a way to get paid for doing what he loved. In 1964 he began an internship at the Washington Star newspaper and also did freelance photography for magazines and other publications. That year also saw the first Beatles U.S. concert tour.
EL PASO — I belong to art and photography groups in El Paso and a couple are non-profit organizations. In one, I serve on the Board of Managers. The President of that association was looking to change the style of leadership that had been used. The President empowered the Board saying take charge of your responsibilities, think outside the box, if you need assistance let me know. How did I become involved?
OCOTILLO, Calif. – The Imperial Valley Desert Museum will finally open here on June 17 more than three years after the $700,000 building was completed. But, it will still only be open for very limited use through the summer. The opening of the museum was made possible by a $2,000 grant through the Imperial Valley Community Foundation, and another $3,000 in donations and fundraising monies, according to museum director Neal Hitch. Hands-on coiled pottery classes for kids will be held from 10 a.m. to 3 p.m. on Fridays and Saturdays at the museum throughout the summer, free of charge.
BRAWLEY, Calif.—The classic Christmastime play, “Annie,” was presented by the North County Coalition for the Arts at Palmer Performing Arts Center here in May, with local lead actors Georg Scott as “Daddy Warbucks,” who shaved his head just for the part, and 11-year-old Molly Wilson as “Annie.”
But, as any theater aficionado knows, all the magic begins back stage. Most of the stage crew consists of high school students from the Imperial Valley Regional Occupational Program under the instruction of Jason Contreras, known fondly as Mr. C by his students and colleagues. The following video is a behind-the-scenes look at the production.
EL PASO — Watercolor paintings of wild horses, wild flowers and cacti in vibrant colors hang on artist Kenge Kobayashi’s walls, but the bucolic scenes tell little of a life that was interrupted by interment in a Japanese-American prison camp during World War II. Kobayashi, who had his first solo art exhibition in March, at the International Museum of Art on Montana. He said the scenes he brings to life are from places he has visited. “It was good, a lot of people came.” He said. He is now seeing what to do next.
MEXICALI, Mexico–When the sun rises Edgar Mayoral’s hammer strikes the iron on the anvil, creating an ear-piercing clanging sound that resonates throughout the neighborhood in this border city. The 23-year-old El Centro, Calif. resident has a talent to shape cold, lifeless sheets of iron into fantastical and vibrant wearable armor that would make you believe Mayoral has been transformed into a live-action Japanese anime character. A skill that cosplayers—short for “costume play”—and non-cosplayers alike marvel at. “This character has a higher fan base in Mexico than in the U.S.,” says Jerry Travis, 21, an anime scholar from Brawley, Calif.
IMPERIAL, Calif.–Clouds of black smoke hover over a rendition of Earth as three teenagers watch from below the globe, drinking and taking long puffs from cigarettes in their hands, while at their feet little green creatures lay on the ground suffering from unknown maladies. Surreal, yes, but with one final dab of paint, and a few brushstrokes, Vicente Cardenas’ untitled painting is ready for the new student art gallery at Imperial Valley College. “It’s pretty radical,” said Cardenas, 19. “Never had my stuff shown to the public before. It gives you the intense feeling that you’re being heard.”
EL CENTRO, Calif.–A new and different kind of life was breathed into the abandoned Anchor Blue store in the Imperial Valley Mall over the weekend. Where teen togs once filled the retail space, the Imperial Valley’s first-ever film and art festival took place. The Inaugural Imperial Valley Film Festival & Artist Showcase featured works by artists who live in or were raised in the Imperial Valley. All films were produced by valley residents or were shot in the valley by independent directors. Most of the art was heavily influenced by the experiences of living near a depressed border.