Pachuco Zoot: A Tale of Identity by coreographer Lisa Smith. (Ezra Rodriguez/Borderzine.com)

The Pachuco’s zoot suit established cultural identity, challenging prejudice

EL PASO – He stood tall and proud next to his newly polished red 1937 Chevy Deluxe Coupe, the feather on his wool felt tonda gliding through the cold spring breeze, his lisa and drapes crisp without fail. The two toned calcos on his feet shined as a star on dark cloudless day. No one in the barrio had trapos as suaves as this vato. He is part of the Pachuco subculture of young Mexican-American males that developed in the Southwest during the late 1930’s and early 1940’s. They wore brightly colored zoot suits and spoke in a lyrical blend of Spanish and English called Caló.

Artists Arturo Damasco painted legendary Mexican actor Carlos López Moctezuma. (Luis Hernández/Borderzine.com)

New art brings good memories back to the old Juárez mercado

CD. JUAREZ – Driving through downtown Juárez has always been somewhat of a treat for me. The sights and sounds of the everyday hustle and bustle, the lingering aroma of what can only be defined as tradition, and the looming sense of that which is no longer there. Yet what most captivates me to this day are the numerous decaying buildings situated in one single area. These remnant monoliths weathered down by the years serve as a reminder of my city’s heritage, a heritage that I never fully knew.