Ruben Salazar questioned his own ethnic identity and the role of journalism in American society

EL PASO — Writing in his personal journal shortly before newsman Ruben Salazar was killed by cops during a 1970 Chicano Anti War march in Los Angeles, the now legendary Mexican-American journalists asks:  “Why do I always have to apologize to Americans for Mexicans and to Mexicans for Americans?”   

His question sounds almost innocent against the turbulent anti-establishment tone of the times. Yet it still resonates for most U.S. journalists with hyphenated identities, myself included. As I watched the PBS documentary, “Ruben Salazar: Man in the Middle,” a few weeks ago at a packed auditorium on the University of Texas El Paso campus, it felt like I was looking into a mirror and witnessing my own ambiguity about my Cuban and U.S. identities. It seems to me that ambiguity about identity frames the existential experience of most immigrants to this country. Where do we belong?

Documental vuelve a encender debate sobre la muerte de Rubén Salazar

By Kay Bárbaro

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WASHINGTON — A pesar de la convicción declarada del productor de Hollywood, Phillip Rodríguez, con respecto a que el homicidio de Rubén Salazar, director de noticias de KMEX TV (Los Ángeles), cometido hace 44 años, fue un accidente, dos públicos independientes —uno en Washington, D.C., y otro en Long Beach, California— que vieron el preestreno del documental de 54 minutos, no concuerdan con él. Algunos dijeron, además, que aunque trató de hacer un caldo de cultivo para exponer un mal, solamente logró un refrito para la televisión. El programa, Rubén Salazar: Man in the Middle, saldrá a nivel nacional el 29 de abril por la red pública de televisión, PBS. Respondiendo a la invitación de PBS, 125 personas valientes —incluyendo las del equipo del Hispanic Link, el reportero Aaron Montes y el editor Charlie Ericksen, acompañados por Peter Copeland, quien formó parte de la fundación de periodismo de Scripps-Howard—, se aventuraron la noche del 27 de febrero, con temperaturas bajo cero, a ver el documental en el auditorio del Museo de Arte Americano, del Instituto Smithsoniano, en el noroeste de Washington, D.C.

En la otra costa, con temperaturas más cálidas, el profesor y activista Armando Vásquez Ramos invitó a un grupo de 350 jóvenes universitarios al teatro de la California State University, Long Beach, el 10 de marzo, y poco después 100 invitados asistieron a la recepción y discusión que siguió. Al productor del documental, Rodríguez, se le unió Phil Móntez, gran amigo de Salazar, jubilado recientemente de su cargo de director regional de la costa oeste para la U.S. Commission on Civil Rights.

Documentary revives debate over Rubén Salazar’s death

By Kay Bárbaro

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WASHINGTON — In spite of independent Hollywood producer Phillip Rodríguez’s stated belief that the killing of KMEX-TV (Los Angeles) news director Rubén Salazar 44 years ago was accidental,  two separate audiences – in Washington, D.C., and Long Beach, Calif. — that previewed his 54-minute television documentary, beg to differ. Where there was grist for an exposé, a TV rehash resulted, some say. The program — Rubén Salazar: Man in the Middle — is scheduled to run nationally April 29 on the Public Broadcasting Service network. Responding to PBS invitations, 125 brave souls, including Hispanic Link’s reporter/editor team Aaron Montes/Charlie Ericksen along with Scripps-Howard Journalism Foundation member Peter Copeland ventured into the sub-freezing night of Feb.

The film Man in the Middle on the life of journalist Rubén Salazar premieres in Washington, D.C.

WASHINGTON — Phillip Rodriguez’s documentary Man in the Middle on the life of slain journalist Rubén Salazar has great meaning for the U.S. Latino community and Hispanic media in this country, according to many attending its first showing. The 54-minute documentary, which premiered here Feb. 27 at the Smithsonian Museum of American Art, describes the controversy that gripped an entire culture and the racial and social issues of the 1960s and 1970s. The crowd of 125 heard a brief statement from U.S. Representative Xavier Beccera  (D-Calif.) who said it was beneficial for the Hispanic community to bring to the public eye the life of the martyred Latino journalist. Salazar’s grandson Jackson Cook, son of his daughter Stephanie, who makes a couple of appearances in the film, drove the five-hour trip with his girlfriend Melissa Millen from his home in New York to attend the event.