When sicarios threatened to kill her, the muralist brought her art to El Paso

4
Margarita “Mago” Gandara moved her art to El Paso afterbeing threatened by sicarios. (Ivan Pierre Aguirre/Borderzine.com)

Margarita “Mago” Gandara moved her art to El Paso afterbeing threatened by sicarios. (Ivan Pierre Aguirre/Borderzine.com)

EL PASO – Her art name means magician and just like a magician pulls a rabbit out of a hat, muralist Margarita “Mago” Gandara pulls creativity and rebellion from deep within her soul to produce intricate murals, sculptures and bronze pieces that mirror the Mexican-American culture that she fell in love with as a young child.

The lively 82 year-old artist spins her story of survival in Juárez like a skilled story teller. After living in Juárez for nearly 40 years, Gandara was threatened by “sicarios” or assassins, who targeted her after seeing her truck with Texas license plates outside of her adobe home studio in a southern Juárez colonia.

Immediately after being threatened, Gandara, with the help of her son, fled from her home taking as many pieces of art as she could, while still leaving some behind. Many of the pieces, along with additional new works will be displayed at an exhibit she calls, “Peregrinas Immigrantes” at UTEP on October 13th.

“The purpose of the exhibit is that since I was in Juárez for 35 to 40 years with my studio, I had a beautiful life. Then the sicarios threatened me to give them money, or else. So I had to flee and this exhibit is my response to that,” says Gandara.

The exhibit will display over 20 works of Gandara’s artistic response to the violence in Juárez, along with a more positive light that she wishes to shed on the culture and the people of the run-down city.

“I didn’t want my peregrinas to look miserable and to be chopped in pieces and hacked. The evil gets enough publicity,” says Gandara. “All that culture, all that energy, that was positive. I resent that they have so much publicity on the violence, they don’t talk about these other things.”

Her bright artwork is deeply submerged in the historic culture of the Mexican-American people, a culture she was born into with two Mexican-Americans as her parents. Her voice fills the room and her face lights up with excitement when she speaks about her father whom she closely relates to in many ways.

At 82 Mago is still producing and will have an exhibit called Peregrinas Migrantes. (Ivan P. Aguirre/Borderzine.com)

At 82 Mago is still producing and will have an exhibit called Peregrinas Migrantes. (Ivan Pierre Aguirre/Borderzine.com)

According to Gandara, her father faced ex-communication from the Catholic church, exile and corrupt governments in the time of Pancho Villa, a moment in history that she believes is repeating itself today.

“He was kicked out of Mexico, and I’ve been kicked out,” says Gandara. “It is history all over again except this is worse–if that can possibly be. The Mexican is killing the Mexican.”

While living in the Mexican colonia, Gandara’s hope was to make a difference in a community that had already seen street gangs and poverty. She used art and murals to bring the children of a violence- ridden colonia together, in the hopes of seeing them become something better.

“It starts in little ways and all those young guys are sicarios and narcos now,” says Gandara. “There was a school across the street, and mothers would take their babies. I said to one, ‘Lady, turn your baby around so he sees the mural. He’s looking at the graffiti, he’s learning the wrong thing!’ You see; that’s where it starts.”

Her artwork and community involvement came to an abrupt stop as Juárez swiftly became one of the most dangerous and deadly cities in the world. Gandara recounts a time when her world began to change: innocent people were being killed in their homes, at parties, and in their stores. She sadly remembers a time when the man who sold gorditas down the street was murdered.

“Who defended me? Nobody. Who could defend me? Nobody. Who defends the people who get killed? The president says they’re criminals–no they’re not, I mean some of them are, of course. You couldn’t even have a party at your house, they’d shoot you,” says Gandara.

As her bittersweet tale comes to an end, Gandara gently recognizes her students and the art that they made together. She talks of beautiful murals the size of football fields, masterpieces that can only be created by passion and a love for culture and art.

“They say in Spanish: colorín, colorado, mi cuento ha terminado. My story has ended.”

_____

Editor’s note: This is another in a series of Mexican citizens running from violence in Mexico.

Comments

comments

Share.

4 Comments

  1. Jack McGarvey
    Jack from Arizona on

    Sad, sad commentary once again on the ruinous impact of the US’s insatiable appetite for narcotics. For which we simply refuse to accept responsibility. The focus is always on the symptoms, never on the causes.

    Nevertheless, a well-written story about an artist of great passion, talent, skill, and character.

    Plus especially fine photos by Ivan P. Aguirre. I especially enjoyed the top one.

    Credit also to whoever does the layout in this classy magazine.

  2. Scott from Indiana on

    Such a very thought provoking expose’ on the life of art and artist at our borders. Kudo’s to the author for the thought and emotion evoking commentary – graffiti vs. mural… The corruption of a peoples core is saddening to the soul. However, the tenacity and resilience of a peoples spirit to extend their art and reflection of their spirit beyond challenge and corruption is uplifting and a beacon to all.

Leave A Reply

Don't miss a thing! Signup here for unique coverage of border life you won't find anywhere else

Join our mailing list to receive weekly news and commentary on Border Life

I am a..

Thank you! You have successfully subscribed.